Fan fiction: A bibliography of critical works (updated)
This version of the bibliography has been updated. Additions from the published version are indicated with an asterisk. This was last updated on June 2, 2008. Karen Hellekson and Kristina Busse compiled the most recent update with input from Mafalda Stasi. The print version is here. This listing deliberately excludes anime and manga.
From Fan fiction and fan communities in the age of the Internet: New essays (c) 2006 Karen Hellekson and Kristina Busse by permission of McFarland & Company, Inc., Publishers, www.mcfarlandpub.com
Abbott, Stacey, ed. 2005. Reading "Angel": The TV spin-off with a soul. London: I. B. Tauris.
Abercrombie, Nicholas, and Brian Longhurst. 1998. Audiences: A sociological theory of performance and imagination. London: Sage.
Aden, Roger C. 1999. Popular stories and promised lands: Fan cultures and symbolic pilgrimages. Tuscaloosa: Univ. of Alabama Press.
*Amy-Chinn, Dee. 2005. Queering the bitch: Spike, transgression and erotic empowerment. European Journal of Cultural Studies 8:313–28.
*Amy-Chinn, Dee, and Milly Williamson. 2005. The vampire Spike in text and fandom: Unsettling oppositions in Buffy the vampire slayer. European Journal of Cultural Studies 8:275–88.
*Andrejevic, Marc. 2008. Watching Television Without Pity: The productivity of online fans. Television and New Media 9:24–46.
Bacon-Smith, Camille. 1992. Enterprising women: Television fandom and the creation of popular myth. Philadelphia: Univ. of Pennsylvania Press.
———. 2000. Science fiction culture. Philadelphia: Univ. of Pennsylvania Press.
*Bahng, Aimee. 2006. Queering The Matrix: Hacking the digital divide and slashing into the future. Critical Studies 29:167–92.
*Barbas, Samantha. 2001. Movie crazy: Fans, stars, and the cult of celebrity. New York: Palgrave Macmillan.
Bargh, John A., and Katelyn Y. A. McKenna. 2004. The Internet and social life. Annual Review of Psychology 55:573–90.
Barthes, Roland. 1974. S/Z. Trans. Richard Miller. New York: Noonday Press.
———. 1977. From work to text. In Image-music-text, trans. Stephen Heath, 155–64. New York: Hill and Wang.
Baym, Nancy K. 1993. Interpreting soap operas and creating community: Inside a computer-mediated fan culture. Journal of Folklore Research 30:143–76.
———. 1998. Talking about soaps: Communicative practices in a computer-mediated fan culture. In Theorizing fandom: Fans, subculture and identity, ed. Cheryl Harris and Alison Alexander, 111–29. Cresskill, NJ: Hampton Press.
———. 2000. Tune in, log on: Soaps, fandom, and online community. Thousand Oaks, CA: Sage.
Beirne, Rebecca. 2004. Queering the Slayer-text: Reading possibilities in Buffy the Vampire Slayer. Refractory 5. http://www.refractory.unimelb.edu.au/journalissues/vol5/beirne.html (accessed June 1, 2005).
*Benkler, Yochai. 2007. The wealth of networks: How social production transforms markets and freedom. New Haven, CT: Yale Univ. Press.
*Benschoff, Harry M. 1998. Secrets, closets, and corridors through time: Negotiating sexuality and gender through Dark Shadows fan culture. In Theorizing fandom: Fans, subculture and identity, ed. Cheryl Harris and Alison Alexander, 199–218. Cresskill, NJ: Hampton Press.
Berg Nellis, Kelly Anne Colleen. 2002. Making sense of television: Interpretive community and The X-Files fan forum—An ethnographic study. PhD diss., Univ. of Missouri–Columbia.
Berry, Chris, Fran Martin, and Audrey Yue, eds. 2003. Mobile cultures: New media in queer Asia. Durham, NC: Duke Univ. Press.
Bick, Ilsa J. 1996. Boys in space: Star Trek latency and The Never-Ending Story. In Enterprise zones: Critical responses to "Star Trek," ed. Taylor Harrison, Sarah Projansky, Kent A. Ono, and Elyce Rae Helford, 189–210. Boulder, CO: Westview Press.
*Bird, Elizabeth S. 2003 The Audience in everyday life: Living in a media world. New York: Routledge.
*Black, Rebecca W. 2006. Language, culture, and identity in online fanfiction. E-Learning 3:170–84. http://www.wwwords.co.uk/pdf/viewpdf.asp?j=elea&vol=3&issue=2&year=2006&article=5_Black_ELEA_3_2_web&id=71.254.102.199 (accessed June 2, 2008).
*——— 2007. Digital design: English language learners and reader reviews in online fiction. In A new literacies sampler, ed. Michele Knobel and Colin Lankshear, 115–36. New York: Peter Lang.
*Bloustien, Geraldine. 2002. Fans with a lot at stake: Serious play and mimetic excess in Buffy the Vampire Slayer. European Journal of Cultural Studies 54:27–49.
Boese, Christine. 2003. The ballad of the Internet nutball: Chaining rhetorical visions from the margins of the margins to the mainstream in the Xenaverse. http://www.nutball.com (accessed June 1, 2005).
*Booker, Susan. 2004. Tales around the Internet campfire: Fan fiction in Tolkien's universe. In Tolkien on film: Essays on Peter Jackson's "The Lord of the Rings," ed. Janet Brennan Croft, 259–82. Altadena, CA: Mythopoeic.
*Boyd, Kelly Simca. 2001. "One index finger on the mouse scroll bar and the other on my clit": Slash writers' views on pornography, censorship, feminism and risk. PhD diss., Simon Fraser University. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ61537.pdf (accessed March 26, 2007).
Braudy, Leo. 1982. Popular culture and personal time. Yale Review 71:481–98.
*———. 1997. The frenzy of renown: Fame and its history. New York: Vintage.
Brobeck, Kristi Lee. 2004. Under the waterfall: A fanfiction community's analysis of their self-representation and peer review. Refractory 5. http://www.refractory.unimelb.edu.au/journalissues/vol5/brobeck.html (accessed October 22, 2005).
*Brooker, Will. 2001. Living on Dawson's Creek: Teen viewers, cultural convergence, and television overflow. International Journal of Cultural Studies 4:456–72.
———. 2003. Using the Force: Creativity, community and "Star Wars" fans, rev. ed. New York: Continuum International.
*———. 2005. "It is love": The Lewis Carroll Society as a fan community. American Behavioral Scientist 48:859–80.
*———. 2007. Everywhere and nowhere: Vancouver, fan pilgrimage and the urban imaginary. International Journal of Cultural Studies 10:423–44.
*———, ed. 2006. The "Blade Runner" experience: The legacy of a science fiction classic. London: Wallflower.
Brower, Sue. 1992. Fans as tastemakers: Viewers for quality television. In The adoring audience, ed. Lisa A. Lewis, 163–84. London: Routledge.
*Burr, Vivien. 2005. Scholar/'shippers and Spikeaholics: Academic and fan identities at the Slayage Conference on Buffy the Vampire Slayer. European Journal of Cultural Studies 8:375–83.
*Bury, Rhiannon. 1998. Waiting to X-Hale: A study of gender and community on an all-female X-Files electronic mailing list. Convergence 4:59–83.
———. 2003. Stories for boys girls: Female fans reading The X-Files. Popular Communication 1:217–42.
———. 2004. Language on (the) line: Class, community and the David Duchovny Estrogen Brigades. Communication Institute for Online Scholarship 14.
———. 2004. Of Mounties and gay marriage: Canadian television, American fans, and the virtual heterotopia. Refractory 6. http://www.refractory.unimelb.edu.au/journalissues/vol6/RBury.html (accessed June 1, 2006).
———. 2005. Cyberspaces of their own: Female fandoms online. New York: Peter Lang.
Busse, Kristina. 2002. Crossing the final taboo: Family, sexuality, and incest in the Buffyverse. In Fighting the forces: What's at stake in "Buffy the Vampire Slayer"?, ed. Rhonda V. Wilcox and David Lavery, 207–17. Lanham, MD: Rowman & Littlefield.
———. 2005. "Digital get down": Postmodern boy band slash and the queer female space. In Eroticism in American culture, ed. Cheryl Malcolm and Jopi Nyman, 103–25. Gdansk: Gdansk Univ. Press.
———. 2006. "I'm jealous of the fake me": Postmodern subjectivity and identity construction in boy band fan fiction. In Framing celebrity: New directions in celebrity culture, ed. Su Holmes and Sean Redmond, 256–67. London: Routledge.
Butler, Judith. 1990. Gender trouble. New York: Routledge.
Cantwell, Marianne. 2004. Collapsing the extra/textual: Passions and intensities of knowledge in Buffy: The Buffy the Vampire Slayer online fan communities. Refractory 5. http://www.refractory.unimelb.edu.au/journalissues/vol5/cantwell.html (accessed June 1, 2006).
Carruthers, Fiona. 2004. Fanfic is good for two things: Greasing engines and killing brain cells. Particip@tions 1. http://www.participations.org/volume%201/issue%202/1_02_carruthers_article.htm (accessed June 1, 2006).
Chandler-Olcott, Kelly, and Donna Mahar. 2003. Adolescents' anime-inspired "fanfictions": An exploration of multiliteracies. Journal of Adolescent and Adult Literacy 46:556–66.
*Chander, Anupam, and Madhavi Sunder. 2007. Everyone's a superhero: A cultural theory of "Mary Sue" fan fiction as fair use. California Law Review 95. [Forthcoming; also appears under the following draft title: The right to Mary Sue.]
*Chaney, Keidra, and Raizel Liebler. 2006. Me, myself, and I: Fan fiction and the art of self-insertion. Bitch 31:52–57.
Chin, Bertha, and Jonathan Gray. 2001. "One ring to rule them all": Pre-viewers and pre-texts of the Lord of the Rings films. Intensities 2. http://www.cult-media.com/issue2/Achingray.htm (accessed October 22, 2005).
*Chua, Ernest. 2007. Fan fiction and copyright; Mutually exclusive, coexistable or something else? Considering fan fiction in relation to the economic/utilitarian theory of copyright. Murdoch University E Law Journal 14:215–32. https://elaw.murdoch.edu.au/issues/2007/2/Elaw_fan_fiction_copyright.pdf (accessed June 2, 2008).
*Chvany, Peter. 2003. "Do we look like Ferengi capitalists to you?" Star Trek's Klingon as emergent virtual American ethnics. In Hop on pop: The politics and pleasures of popular culture, ed. Henry Jenkins, Tara McPherson, and Jane Shattuc, 105–21. Durham, NC: Duke Univ. Press.
Cicioni, Mirna. 1998. Male pair-bonds and female desire in fan slash writing. In Theorizing fandom: Fans, subculture and identity, ed. Cheryl Harris and Alison Alexander, 153–77. Cresskill, NJ: Hampton Press.
Clerc, Susan J. 1996a. DDEB, GATB, MPPB, and Ratboy: The X-Files media fandom, online and off. In "Deny all knowledge": Reading "The X-Files," ed. David Lavery, Angela Hague, and Marla Cartwright, 36–51. Syracuse, NY: Syracuse Univ. Press.
———. 1996b. Estrogen brigades and "big tits" threads: Media fandom online and off. In Wired women: Gender and new realities in cyberspace, ed. Lynn Cherny and Elizabeth Reba Wise, 73–97. Seattle: Seal Press.
———. 2002. Who owns our culture? The battle over the Internet, copyright, media fandom, and everyday uses of the cultural commons. PhD diss., Bowling Green State Univ.
*Coombe, Rosemary J. 1994. Author/izing the celebrity: Publicity rights, postmodern politics, and unauthorized genders. In The construction of authorship: Textual appropriation in law and literature, ed. Martha Woodmansee and Peter Jaszi. Durham, NC: Duke Univ. Press.
*———, with Andrew Herman and Lewis Kaye. 2006. Your second life? Goodwill and the performativity of intellectual property in online digital gaming. Cultural Studies 20:184–210. http://www.yorku.ca/rcoombe/publications/YourSecondLife.pdf (accessed March 26, 2007).
Consalvo, Mia. 2003. Cyber-slaying media fans: Code, digital poaching, and corporate control of the Internet. Journal of Communication Inquiry 27:67–86.
Costello, Victor J. 1999. Interactivity and the "cyber-fan": An exploration of audience involvement within the electronic fan culture of the Internet. PhD diss., Univ. of Tennessee. http://oai.sunsite.utk.edu/links/CostelloVictor.pdf (accessed June 1, 2006).
*Costello, Victor, and Barbara Moore. 2007. Cultural outlaws: An examination of audience activity and online television fandom. Television and New Media 8:124–43.
Cumberland, Sharon. 2000. Private uses of cyberspace: Women, desire, and fan culture. MIT Communications Forum. January 25. http://web.mit.edu/comm-forum/papers/cumberland.html (accessed June 1, 2006). Expanded and reprinted in 2003 in Rethinking media change: The aesthetics of tradition, ed. David Thorburn and Henry Jenkins, 261–79. Cambridge, MA: MIT Press.
———. 2002. The five wives of Ibn Fadlan: Women's collaborative fiction on Antonio Banderas Web sites. In Reload: Rethinking women + cyberculture, ed. Mary Flanagan and Austin Booth, 175–94. Cambridge, MA: MIT Press.
Cupitt, Cathy. 2003. A space for sex: Reproducing corporate product for the public domain. In Liveable communities, ed. Janice Haswell and Diana MacCallum, 117–29. Perth: Black Swan Press. http://www.geocities.com/ccupitt.geo/slash/spacesex.html (accessed October 22, 2005).
*Cusack, Maurice, Gavin Jack, and Donncha Kavanagh. 2003. Dancing with discrimination: Managing stigma and identity. Culture and Organization 9:295–310.
Darling-Wolf, Fabienne. 2003. Male bonding and female pleasure: Refining masculinity in Japanese popular cultural texts. Popular Communication 1:73–89.
*Decarnin, Camilla. 2006. Slash fiction. In Encyclopedia of erotic literature, ed. Gaëtan Brulotte and John Phillips, 1233–35. New York: Routledge.
De Certeau, Michel. 1984. The practice of everyday life. Berkeley: Univ. of California Press.
*Deery, June. 2003. TV.com: Participatory viewing on the web. Journal of Popular Culture 37:161–83.
Dennis, Jeffrey P. 2003. Signifying same-sex desire in television cartoons. Journal of Popular Film and Television 31:132–41.
*Doctorow, Cory. 2007. In praise of fanfic. Locus. http://www.locusmag.com/Features/2007/05/cory-doctorow-in-praise-of-fanfic.html (accessed June 2, 2008).
*Doty, Alexander. 1993. Making things perfectly queer: Interpreting mass culture. Minneapolis: Univ. of Minnesota Press.
———. 2000. Flaming classics: Queering the film canon. New York: Routledge.
*Duncombe, Stephen. 2003. "I'm a loser baby": Zines and the creation of underground identity. In Hop on pop: The politics and pleasures of popular culture, ed. Henry Jenkins, Tara McPherson, and Jane Shattuc, 227–50. Durham, NC: Duke Univ. Press.
Ehrenreich, Barbara, Elizabeth Hess, and Gloria Jacobs. 1992. Beatlemania: Girls just want to have fun. In The adoring audience, ed. Lisa A. Lewis, 84–106. London: Routledge.
*Evans, Alice. 2006. The global playground: Fan fiction in cyberspace. MA thesis, Roehampton University. http://www.freewebs.com/alisonresearch/DISSERTATION2.pdf (accessed March 26, 2007).
Ferris, Kerry Orway. 1997. Star struck: The social worlds of serial television fans. PhD diss., Univ. of California, Los Angeles.
Fiedler, Leslie. 1960. Love and death in the American novel. New York: Criterion.
Fiske, John. 1989. Reading the popular. New York: Routledge.
———. 1992. The cultural economy of fandom. In The adoring audience, ed. Lisa A. Lewis, 30–49. London: Routledge.
Foster, Derek. 1997. Community and identity in the electronic village. In Internet culture, ed. David Porter, 23–37. New York: Routledge.
Fraiberg, Allison. 1995. Electronic fans, interpretive flames: Performative sexualities and the Internet. Works and Days 13:196–207.
*Gatson, Sarah N., and Amanda Zweerink. 2004. Interpersonal culture on the Internet: Television, the Internet, and the making of a community. Lewiston, NY: Edwin Mellen Press.
Ganz-Blättler, Ursula. 1999. Shareware or prestigious privilege? Television fans as knowledge brokers. MIT Communications Forum. http://web.mit.edu/comm-forum/papers/ganz-blattler.html (accessed June 1, 2006).
*Gatson, Sarah, and Amanda Zweerink. 2004. Ethnography online: "Natives" practicing and inscribing community. Quality Research 4:179–200.
Geraghty, Lincoln. 2003. Homosocial desire on the final frontier: Kinship, the American romance, and Deep Space Nine's "erotic triangles." Journal of Popular Culture 36:441–65.
———. 2004. "Help when times are hard": Bereavement and Star Trek fan letters. Refractory 5. http://www.refractory.unimelb.edu.au/journalissues/vol5/geraghty.html (accessed June 1, 2006).
Gillilan, Cinda Lynn. 1999. Zine fans, zine fiction, zine fandom: Exchanging the mundane for a woman-centered world. PhD diss., Univ. of Colorado.
Glaubman, Jane, ed. Forthcoming. Reconstructing Harry: "Harry Potter" fan fiction on the World Wide Web. Durham, NC: Duke Univ. Press.
*Gray, Jonathan. 2003. New audiences, new textualities: Anti-fans and non-fans. International Journal of Cultural Studies 6:64–81.
*———. 2005. Antifandom and the moral text: Television Without Pity and textual dislike. American Behavioral Scientist 48:840–58.
*———. 2007. Fandom: Identities and communities in a mediated world. New York: NYU Press.
*Gray, Jonathan, and Jason Mittell. 2007. Speculation on spoilers: Lost fandom, narrative consumption and rethinking textuality. Particip@tions 4, no. 1. http://www.participations.org/Volume%204/Issue%201/4_01_graymittell.htm (accessed June 2, 2008).
*Gray, Jonathan, Cornel Sandvoss, and C. Lee Harrington, eds. 2007. Fan audiences: Cultural consumption and identities in a mediated world. New York: New York Univ. Press.
Green, Lelia, and Carmen Guinery. 2004. Harry Potter and the fan fiction phenomenon. Media/Culture 7. http://journal.media-culture.org.au/0411/14-green.php (accessed June 1, 2006).
Green, Shoshanna, Cynthia Jenkins, and Henry Jenkins. 1998. "Normal female interest in men bonking": Selections from the Terra Nostra Underground and Strange Bedfellows. In Theorizing fandom: Fans, subculture, and identity, ed. Cheryl Harris and Alison Alexander, 9–38. Cresskill, NJ: Hampton Press.
*Griffin, Hollis. 2005. Soap slash: Gay men rewrite the world of daytime television drama. Spectator 25:23–34.
Grossberg, Lawrence. 1992. Is there a fan in the house? The affective sensibility of fandom. In The adoring audience, ed. Lisa A. Lewis, 50–68. London: Routledge.
Halberstam, Judith. 1998. Female masculinity. Durham, NC: Duke Univ. Press.
Hale, Laura M. 2005. A history of fan fic. Fanzine.
Hall, Stuart. 1991. Encoding/decoding. In Culture, media, language: Working papers in cultural studies, 1972–79, rev. ed., ed. Stuart Hall, Dorothy Hobson, Andrew Lowe, and Paul Willis, 128–38. London: Hutchinson.
Hamming, Jeannie. 2001. Whatever turns you on: Becoming-lesbian and the production of desire in the Xenaverse. Genders 34. http://www.genders.org/g34/g34_hamming.html (accessed June 1, 2006).
*Harrington, C. Lee, and Denise D. Bielby. 1995. Soap fans: Pursuing pleasure and making meaning in everyday life. Philadelphia, PA: Temple Univ. Press.
*———. 2005. Introduction: New directions in fan studies. American Behavioral Scientist 48:799–800.
*———. 2005. Global television distribution: Implications of TV "traveling" for viewers, fans, texts. American Behavioral Scientist 48:902–20.
Harris, Cheryl D. 1992. Social identity, class and empowerment: Television fandom and advocacy. PhD diss., Univ. of Massachusetts.
Harris, Cheryl, and Alison Alexander, ed. 1998. Theorizing fandom: Fans, subculture and identity. Cresskill, NJ: Hampton Press.
Harrison, Taylor. 1996. Interview with Henry Jenkins. In Enterprise zones: Critical positions on "Star trek," ed. Taylor Harrison, Sarah Projansky, Kent A. Ono, and Elyce Rae Helford, 259–78. Boulder, CO: Westview Press.
*Heinecken, Dawn. 2004. Fan readings of sex and violence on Buffy the Vampire Slayer. Slayage 11/12. http://slayageonline.com/essays/slayage11_12/Heinecken.htm (accessed March 26, 2007).
Hellekson, Karen. 1997. Doctor Who fans rewrite their program: Mini-UNIT Minstrels as creative consumers of media. Popular Culture Review 8:97–108.
*Henningsen, Lena. 2006. Harry Potter with Chinese characteristics: Plagiarism between orientalism and occidentalism. China Information 20:275–311.
Herzing, Melissa Jean. 2005. The Internet world of fan fiction. MA thesis, Virginia Commonwealth Univ. http://etd.vcu.edu/theses/available/etd-05092005-125907/unrestricted/HerzingThesis.pdf (accessed June 1, 2006).
Hills, Matt. 2000a. Media fandom, neoreligiosity, and cult(ural) studies. Velvet Light Trap (Fall): 73–84.
———. 2000b. To boldly go where others have gone before: Star Trek and (academic) narratives of progress [book review essay]. Scope (November). http://www.nottingham.ac.uk/film/journal/bookrev/star-trek.htm (accessed June 1, 2006).
———. 2001. Interview with Henry Jenkins. Intensities 2. http://www.cult-media.com/issue2/CMRjenk.htm (accessed October 22, 2005).
*———. 2001. Virtually out there: Strategies, tactics and affective spaces in online fandom. In Technospaces: Inside the new media, ed. Sally Munt. London: Continuum.
———. 2002. Fan cultures. London: Routledge.
*———. 2003. Subcultural celebrity and cult TV fan cultures. Mediactive 2.
*———. 2005. Patterns of surprise: The "aleatory object" in psychoanalytic ethnography and cyclical fandom. American Behavioral Scientist 48.
———. 2006. Not just another "powerless elite"? When media fans become subcultural celebrities. In Framing celebrity: New directions in celebrity culture, ed. Su Holmes and Sean Redmond, 101–18. London: Routledge.
*———. 2005. Negative fan stereotypes ("Get a life!") and positive fan injunctions ("Everyone's got to be a fan of something!"): Returning to hegemony theory in fan studies. Spectator 25:37–47.
*Hills, Matt, and Rebecca Williams. 2005. "It's all my interpretation": Reading Spike through the subcultural celebrity of James Marsters. European Journal of Cultural Studies 8:345–65.
Hinderman, Stephen. 1992. "I'll be here with you": Fans, fantasy and the figure of Elvis. In The adoring audience, ed. Lisa A. Lewis, 107–34. London: Routledge.
*Hobson, Dorothy. 2006. From Crossroads to Wife Swap: Learning from audiences. Critical Studies in Television 1:121–28.
*Howell, Amanda. 2000. The X-Files, X-Philes and X-Philia: Internet fandom as a site of convergence. Media International Australia Incorporating Culture and Policy 97:137–49
*Jaszi, Peter. 1994. On the author effect: Contemporary copyright and collective creativity. In The construction of authorship: Textual appropriation in law and literature, ed. Martha Woodmansee and Peter Jaszi. Durham, NC: Duke Univ. Press.
Jenkins, Henry. 1990. If I could speak with your sound: Fan music, textual proximity and liminal identification. Camera Obscura 23:149–76.
———. 1991. Star Trek rerun, reread, rewritten: Fan writing as textual poaching. In Close encounters: Film, feminism and science fiction, ed. Constance Penley, Elizabeth Lyons, Lynn Spigel, and Janet Bergstrom, 170–203. Minneapolis: Univ. of Minnesota Press.
———. 1992a. Strangers no more, we sing: Filking and the social construction of the science fiction fan community. In The adoring audience, ed. Lisa A. Lewis, 207–36. London: Routledge.
———. 1992b. Textual poachers: Television fans and participatory culture. New York: Routledge.
———. 1998. The poachers and the stormtroopers: Popular culture in the digital age. Red Rock Eater Digest. Talk presented at the Univ. of Michigan, Spring 1998. http://commons.somewhere.com/rre/1998/The.Poachers.and.the.Sto.html (accessed May 14, 2000).
———. 2000a. Digital land grab. MIT Alumni Association Technology Review 103:103–5. http://www.technologyreview.com/articles/00/03/viewpoint0300.asp (accessed October 22, 2005).
———. 2000b. Reception theory and audience research: The mystery of the vampire's kiss. in Reinventing film studies, ed. C. Gledhill and L. Williams, 165–82. London: Arnold.
———. 2001. Foreword to Interacting with "Babylon 5": Fan performances in a media universe, by Kurt Lancaster. Austin: Univ. of Texas Press.
———. 2002. Interactive audiences: The "collective intelligence" of media fans. The new media book, ed. Dan Harries, 157–70. London: British Film Institute.
———. 2003. Quentin Tarantino's Star Wars? Digital cinema, media convergence, and participatory culture. In Rethinking media change, ed. David Thorburn and Henry Jenkins, 281–312. Cambridge, MA: MIT Press.
———. 2004a. Game design as narrative architecture. In First person: New media as story, performance, game, ed. Noah Frup-Waldrop and Pat Harrington, 118–30. Cambridge, MA: MIT Press.
———. 2004b. The cultural logic of media convergence. International Journal of Cultural Studies 7:33–43. http://ics.sagepub.com/cgi/reprint/7/1/33.pdf (accessed October 22, 2005).
———. 2004c. Why Heather can write. Technology Review (February 6). http://www.technologyreview.com/articles/04/02/wo_jenkins020604.asp?p=1 (accessed October 22, 2005).
*———. 2006a. Convergence culture. New York: New York Univ. Press.
*———. 2006b. Fans, bloggers, and gamers. New York: New York Univ. Press.
*———. 2006c. The wow climax: Tracing the emotional impact of popular culture. New York: NYU Press.
Jenson, Joli. 1992. Fandom as pathology: The consequence of characterization. In The adoring audience, ed. Lisa A. Lewis, 9–29. London: Routledge.
*Jermyn, Deborah, and Su Holmes. 2006. The audience is dead; long live the audience!: Interactivity, 'telephilia' and the contemporary television audience. Critical Studies in Television 1:49–57. http://journals.mup.man.ac.uk/cgi-bin/pdfdisp//MUPpdf/CST/V1I1/010049.pdf (accessed June 2, 2008).
*Jindra, Michael. 1994. Star Trek fandom as a religious phenomenon. Sociology of Religion 55:27–51.
*Jones, Sara Gwenllian. 2000. Histories, fictions, and Xena: Warrior Princess. Television and New Media 1:403–18
———. 2000. Starring Lucy Lawless? Continuum 14:9–22.
———. 2002. The sex lives of cult television characters. Screen 43:79–90.
———. 2003. Web wars: Resistance, online fandom and studio censorship. In Quality popular television: Cult TV, the industry, and fans, ed. Mark Jancovich and James Lyons, 163–77. London: British Film Institute.
*Jones, Steven E. 2007. Dickens on Lost: Text, paratext, fan-based media. Wordsworth Circle 38, no. 1–2(Winter/Spring). http://www.rc.umd.edu/reference/wcircle/sejones.pdf (accessed June 2, 2008).
Jung, Susanne. 2004. Queering popular culture: Female spectators and the appeal of writing slash fan fiction. Gender Forum Gender Queeries 8. http://www.genderforum.uni-koeln.de/queer/jung.html (accessed June 1, 2006).
*Katyal, Sonia K. 2005. Performance, property, and the slashing of gender in fan fiction. Journal of Gender, Social Policy and Law 14:461–518. http://www.wcl.american.edu/journal/genderlaw/14/katyal3.pdf (accessed March 26, 2007).
Katz, Arnie. N.d. The philosophical theory of fan history. http://www.smithway.org/fstuff/theory/phil1.html (accessed June 1, 2006).
Kem, Jessica Freya. 2005. Cataloging the Whedonverse: Potential roles for librarians in online fanfiction. MS thesis, Univ. of North Carolina–Chapel Hill. http://etd.ils.unc.edu/dspace/bitstream/1901/137/1/jessicakem.pdf (accessed June 1, 2006).
*Kociemba, David. 2006. "Over-identify much?" Passion, "Passion," and the author-audience feedback loop in Buffy the Vampire Slayer. Slayage 19. http://slayageonline.com/essays/slayage19/Kociemba.htm (accessed March 26, 2007).
Kozinets, Robert V. 1997. To boldly go: A hypermodern ethnography of Star Trek fans' culture and communities consumption. PhD diss., Queen's Univ., Ontario, Canada.
———. 2001. Utopian enterprise: Articulating the meanings of Star Trek's culture of consumption. Journal of Consumer Research 28:67–88.
Kustritz, Anne. 2003. Slashing the romance narrative. Journal of American Culture 26:371–84.
*——— 2005. Smallville's sexual symbolism: From queer repression to fans' queered expressions. Refractory 8. http://www.refractory.unimelb.edu.au/journalissues/vol8/kustritz.html (accessed March 26, 2007).Lamb, Patricia Frazer, and Diane Veith. 1986. Romantic myth, transcendence, and Star Trek zines. In Erotic universe: Sexuality and fantastic literature, ed. Donald Palumbo, 236–55. Westport, CT: Greenwood Press.
Lancaster, Kurt. 2001. Interacting with "Babylon 5": Fan performances in a media universe. Austin: Univ. of Texas Press.
Laurel, B. 2004. Narrative construction as play. Interactions (September–October): 73–74.
*Lavery, David. 2004. "I wrote my thesis on you": Buffy studies as an academic cult. Slayage 13–14. http://slayageonline.com/essays/slayage13_14/Lavery.htm (accessed March 26, 2007).
*Lawrence, K. F. 2007. The web of community trust—Amateur fiction online: A case study in community focused design for the semantic Web. PhD thesis, Univ. of Southampton. http://eprints.ecs.soton.ac.uk/14704/ (accessed June 2, 2008).
Lee, Kylie. 2003. Confronting Enterprise slash fan fiction. Extrapolation 44:69–82.
Lefanu, Sarah. 1989. Feminism and science fiction. Bloomington: Indiana Univ. Press.
*Leonard, Sean. 2005. Progress against the law: Anime and fandom, with the key to the globalization of culture. International Journal of Cultural Studies 8:281–305.
*Levine, Elana, and Lisa Parks, ed. 2007. Undead TV: Essays on Buffy the Vampire Slayer. Durham, NC: Duke Univ. Press.
Lewis, Diane. 2004. Understanding the power of fan fiction for young authors. Kliatt 38, no. 2:4–7.
Lewis, Lisa A., ed. 1992a. The adoring audience. London: Routledge.
———. 1992b. Something more than love: Fan stories on film. In The adoring audience, ed. Lisa A. Lewis, 135–62. London: Routledge.
Lichtenberg, Jacqueline, Sondra Marshak, and Joan Winston. 1975. Do-it-yourself Star Trek—The fan fiction. In "Star Trek" lives!, 221–74. New York: Corgi.
*Lindemann, Kurt. 2005. Live(s) online: Narrative performance, presence, and community in LiveJournal.com. Text and Performance Quarterly 25:354–72.
*Lothian, Alexis, Kristina Busse, and Robin Anne Reid. 2007. Yearning void and infinite potential: Online slash fandom as queer female space. ELN 45:103–11.
*Lovink, Geert. 2007. Zero comments: Blogging and critical Internet culture. New York: Routledge.
MacDonald, Andrea. 1998. Uncertain utopia: Science fiction media fandom and computer mediated communication. In Theorizing fandom: Fans, subculture, and identity, ed. Cheryl Harris and Alison Alexander, 131–52. Cresskill, NJ: Hampton Press.
Macor, Alison Grace. 2000. The visible audience: Participation, community, and media fandom. PhD diss., Univ. of Texas, Austin.
*MacDonald, Marianne. 2006. Harry Potter and the fan fiction phenom. Gay & Lesbian Review Worldwide 13:28–30.
*Madill, Anna, and Rebecca Goldmeier. 2003. EastEnders: Texts of female desire and of community. International Journal of Cultural Studies 6:471–94.
Mahiri, Jabari. 2000. Pop culture pedagogy and the end(s) of school. Journal of Adolescent and Adult Literacy 44:382–87.
McCardle, Meredith. 2003. Fan fiction, fandom, and fanfare: What's all the fuss? Boston University Journal of Science and Technology Law 9:434–68. http://www.bu.edu/law/scitech/volume9issue2/McCardleWebPDF.pdf (accessed June 1, 2006).
*McGrath-Kerr, Rachel. 2006. Sam I am: Female fans' interacation with Samantha Carter through fan fiction and online discussion. In Reading "Stargate SG-1," ed. Stan Beeler and Lisa Dickson, 200–218. London: I. B. Tauris.
McLelland, Mark. 2000a. Male homosexuality and popular culture in modern Japan. Intersections 3. http://wwwsshe.murdoch.edu.au/intersections/issue3/mclelland2.html (accessed June 1, 2006).
———. 2000b. No climax, no point, no meaning? Japanese women's boy love sites on the Internet. Journal of Communication Inquiry 24:274–91.
———. 2001. Why are Japanese girls' comics full of men bonking? Intensities 1. http://www.cult-media.com/issue1/CMRmcle.htm (accessed October 22, 2005).
Merrick, Helen. 2004. "We was cross-dressing 'afore you were born!," or How sf fans invented virtual community. Refractory 6. http://www.refractory.unimelb.edu.au/journalissues/vol6/HMerrick.html (accessed June 1, 2006).
*Menon, Siddhartha. 2007. A participation observation analysis of the Once and Again Internet message bulletin boards. Television and New Media 8:341–74.
Murray, Simone. 2004. "Celebrating the story the way it is": Cultural studies, corporate media and the contested utility of fandom. Continuum 18:7–25.
*Murray, Susan. 1999. Saving our so-called lives: Girl fandom, adolescent subjectivity, and My So-Called Life. In Kids' media culture, ed. Marsha Kinder, 221–35. Durham, NC: Duke Univ. Press.
Nellis Berg, Kelly Anne Colleen. 2002. Making sense of television: Interpretive community and The X-Files fan forum: An ethnographic study. PhD diss., Univ. of Missouri–Columbia.
*Neumann, Iver. 2006. Pop goes religion: Harry Potter meets Clifford Geertz. European Journal of Cultural Studies 9:81–100.
Pearson, Roberta E. 2003. Kings of infinite space: Cult television characters and narrative possibilities. Scope (August). http://www.nottingham.ac.uk/film/journal/articles/kings-of-infinite-space.htm (accessed June 1, 2006).
Penley, Constance. 1991. Brownian motion: Women, tactics, and technology. In Technoculture, ed. Contance Penley and Andrew Ross, 35–161. Minneapolis: Univ. of Minnesota Press.
———. 1992. Feminism, psychoanalysis, and the study of popular culture. In Cultural studies, ed. Lawrence Grossberg, Cary Nelson, and Paula A. Treichler, 479–500. New York: Routledge.
———. 1997. NASA/Trek: Popular science and sex in America. New York: Verso.
*Perryman, Neil. 2008. Doctor Who and the convergence of media: A case study in "transmedia storytelling." Convergence14: 21–39.
Pflieger, Pat. 1999, rev. 2001. Too good to be true: 150 years of Mary Sue. Presented at the Popular Culture Association, San Diego. http://www.merrycoz.org/papers/MARYSUE.HTM (accessed June 1, 2006).
Porter, David. 1997. Internet culture. New York: Routledge.
*Postigo, Hector. 2007. Of mods and modders: Chasing down the value of fan-based digital game modifications. Games and Cultures 2:300–13.
*———. 2008. Video game appropriation through modifications: Attitudes concerning intellectual property among modders and fans. Convergence 14:59–74.
Potter, Tiffany, and C. W. Marshall. 2008. Cylons in America: Critical studies in Battlestar Galactica. New York: Continuum.
Pugh, Sheenagh. 2004. The democratic genre: Fan fiction in a literary context. Refractory 5. http://www.refractory.unimelb.edu.au/journalissues/vol5/pugh.html (accessed June 1, 2006).
———. 2005. The democratic genre: Fan fiction in a literary context. Bridgend, UK: Seren.
*Pullen, Kirsten. 2000. I-love-Xena.com: Creating online fan communities. In web.studies: Rewiring media studies for the digital age, ed. David Gauntlett, 52–61. London: Arnold.
*———. 2004. Everybody's gotta love somebody, sometime: Online fan community. In Web.Studies: Rewiring media studies for the digital age, 2nd ed., ed. David Gauntlett and Ross Horsley. London: Arnold.
*Pyne, Erin A. 2007. A fandom of magical proportions: An unauthorized history of the Harry Potter phenomenon. Ann Arbor, MI: Nimble Books.
Radway, Janice. 1984. Reading the romance: Women, patriarchy, and popular literature. Chapel Hill: Univ. of North Carolina Press.
*Reid, Robin Anne. 2007. Breaking of the fellowship: Competing discourses of archives and canons in The Lord of the Rings Internet fandom. In How we became Middle-earth, ed. Adam Lam and Nataliya Oryshchuk, 347–70. Corvallis, OR: Walking Tree Press.
*Reysen, Stephen. 2006. Secular versus religious fans: Are they different? An empirical examination. Journal of Religion and Popular Culture 12. http://www.usask.ca/relst/jrpc/art12-secularvsreligious.html (accessed November 4, 2006).
*Richards, Chris. 2004. What are we? Adolescence, sex and intimacy in Buffy the Vampire Slayer. Continuum 18:121–37.
Russ, Joanna. 1985. Pornography by women, for women, with love. In Magic mommas, trembling sisters, Puritans and perverts: Feminist essays, 79–99. Trumansburg, NY: The Crossing Press.
Russo, Julie Levin. 2002. NEW VOY "cyborg sex" J/7 [NC-17] 1/1: New methodologies, new fantasies. http://j-l-r.org/asmic/fanfic/print/jlr-cyborgsex.pdf (accessed June 1, 2006).
Rust, Linda. 2004. Welcome to the house of fun: Buffy fanfiction as a hall of mirrors. Refractory 2. http://www.refractory.unimelb.edu.au/journalissues/vol2/lindarust.html (accessed June 1, 2006).
Sabal, Robert. 1992. Television executives speak about fan letters to the networks. In The adoring audience, ed. Lisa A. Lewis, 185–90. London: Routledge.
Sabucco, Veruska. 2003. Guided fan fiction: Western "readings" of Japanese homosexual-themed texts. In Mobile cultures: New media in queer Asia, ed. C. Berry, F. Martin, and A. Yue. Durham, NC: Duke Univ. Press.
Salmon, Catherine, and Don Symons. 2001. Warrior lovers: Erotic fiction, evolution and female sexuality. London: Orion.
———. 2004. Slash fiction and human mating psychology. Journal of Sex Research 41:94–100.
Sanders, Joseph L., ed. 1994. Science fiction fandom. Westport, CT: Greenwood Press.
Sandvoss, Cornel. 2005. Fans: The mirror of consumption. Cambridge, UK: Polity Press.
*———. 2005. One-dimensional fan: Toward an aesthetic of fan texts. American Behavioral Scientist 48:822–39.
Saxey, Esther. 2001. Staking a claim: The series and its slash fan-fiction. In Reading the Vampire Slayer: The unofficial critical companion to "Buffy" and "Angel," ed. Roz Kaveny, 187–210. New York: Tauris Park.
*Scardaville, Melissa C. 2005. Accidental activists: Fan activism in the soap opera community. American Behavioral Scientist 48:881–901.
*Schimmel, K. S., C. Lee Harrington, and Denise Bielby. 2007. Keep your fans to yourself: The disjuncture between sport studies and pop culture studies' perspectives on fandom. Sport in Society 10:580–600.
Scodari, Christine. 1998. "No politics here": Age and gender in soap opera "cyberfandom." Women's Studies in Communication 21:168–87.
———. 2003a. Resistance re-examined: Gender, fan practices, and science fiction television. Popular Communication 1:111–30.
———. 2003b. Review of Matt Hills, Fan cultures. Popular Communication 1:181–83.
Scodari, Christine, and Jenna L. Felder. 2000. Creating a pocket universe: "Shippers," fan fiction, and The X-Files online. Communication Studies 51:238–58.
*Scott, Suzanne. 2008. Authorized resistance: Is fan production frakked? In Cylons in America,ed. Tiffany Potter and C. W. Marshall, 210–23. New York: Continuum.
Sedgwick, Eve Kosofsky. 1985. Between men: English literature and male homosocial desire. New York: Columbia Univ. Press.
Selley, April. 1986. "I have been, and ever shall be, your friend": Star Trek, The Deerslayer, and the American romance. Journal of Popular Culture 20:89–104.
Shave, Rachel. 2004. Slash fandom on the Internet, or Is the carnival over? Refractory 6. http://www.refractory.unimelb.edu.au/journalissues/vol6/RShave.html (accessed June 1, 2006).
*Shefrin, Elana. 2004. Lord of the Rings, Star Wars, and participatory fandom: Mapping new congruencies between the Internet and media entertainment culture. Critical Studies in Media Communication 21:261–81.
Silvergleid, Robin. 2003. "The truth we both know": Readerly desire and heteronarrative in The X-Files. Studies in Popular Culture 25. http://pcasacas.org/SPC/spcissues/25.3/Silbergleid.htm (accessed June 1, 2006).
Smith, Eliot K. 1999. The romance of crossover: The cultural production of fandom in America. PhD diss., SUNY-Buffalo.
Smol, Anna. 2004. "Oh…oh…Frodo!" Readings of male intimacy in The Lord of the Rings. Modern Fiction Studies 50:949–79.
Somogyi, Victoria. 2002. Complexity of desire: Janeway/Chakotay fan fiction. Journal of American and Comparative Culture 25:399–404.
Stein, Atara. 1998. Minding one's p's and q's: Homoeroticism in Star Trek: The Next Generation. Genders 27. http://www.genders.org/g27/g27_st.html (accessed June 1, 2006).
Stein, Louisa. 2002. Subject: "Off topic: Oh my god U.S. terrorism!" Roswell fans respond to 11 September. European Journal of Cultural Studies 5:471–91.
———. 2005. "They cavort, you decide": Fan discourses of intentionality, interpretation, and queerness in teen TV. Spectator 25:11–22.
*Štěpánová, Helena. 2007. Slash fan fiction and the canon. BA thesis, Masaryk Univ., Czech Republic. http://is.muni.cz/th/53138/ff_b/BAthesis.doc (accessed June 2, 2008).
Stilwell, Jessica. 2003. Fans without pity: Television, online communities, and popular criticism. MA thesis, Georgetown Univ. http://cct.georgetown.edu/thesis/JessicaStilwell.pdf (accessed October 22, 2005).
*Sturgis, Amy H. 2004. Make mine "movieverse": How the Tolkien fan fiction community learned to stop worrying and love Peter Jackson. In Tolkien on film: Essays on Peter Jackson's "The Lord of the Rings," ed. Janet Brennan Croft, 283–305. Altadena, CA: Mythopoeic.
Suzuki, Kazuko. 1999. Pornography or therapy? Japanese girls creating the yaoi phenomenon. In Millennium girls: Today's girls around the world, ed. Sherrie A. Inness, 243–68. London: Rowman & Littlefield.
*Thomas, Angela. 2007. Blurring and breaking through the boundaries of narrative, literacy, and identity in adolescent fan fiction. In A new literacies sampler, ed. Michele Knobel and Colin Lankshear, 137–166. New York: Peter Lang.
*Thrupkaew, Noy. 2003. Fan/tastic voyage: A journey into the wide, wild world of slash fiction. Bitch: Feminist Response to Pop Culture 20. http://www.bitchmagazine.com/archives/04_03slash/slash.shtml (accessed March 26, 2007).
Tulloch, John, and Henry Jenkins. 1995. Science fiction audiences: Watching "Doctor Who" and "Star Trek." New York: Routledge.
*Turnbull, Sue. 2003. Teaching Buffy: The curriculum and the text in media studies. Continuum 17:31.
Tushnet, Rebecca. 1997. Legal fictions: Copyright, fan fiction, and a new common law. Loyola of Los Angeles Entertainment Law Journal 17:641–86. http://homepages.nyu.edu/~rlt2/legalfictions.pdf (accessed June 1, 2006).
———. 2004. Copy this essay. Yale Law Journal 114:535–90. http://www.yalelawjournal.org/pdf/114-3/Tushnet.12.1.pdf (accessed June 1, 2006).
*Van Zoonen, Liesbet. 2004. Imagining the fan democracy. European Journal of Communication 19:39–52.
Verba, Joan Marie. 1996. Boldly writing: A Trekker fan and zine history, 1967–1987. 2nd ed. Minnesota: FTL Publications. http://www.ftlpublications.com/bw.htm (accessed June 1, 2006).
Vermorel, Fred, and Judy Vermorel. 1992. A glimpse of the fan factory. In The adoring audience, ed. Lisa A. Lewis, 191–207. London: Routledge.
Wakefield, Sarah. 2001. Your sister in St. Scully: An electronic community of female fans of The X-Files. Journal of Popular Film and Television 29, no. 3:130–37.
Walker, Cynthia W. Forthcoming. A dialogic approach to creativity in mass communication. Cresskill, NJ: Hampton Press.
Wexelblat, Alex. 2003. An auteur in the age of the Internet: JMS, Babylon 5, and the Net. In Hop on pop: The politics and pleasures of popular culture, ed. Henry Jenkins, Tara McPherson, and Jane Shattuc, 209–26. Durham, NC: Duke Univ. Press.
*Williams, Michael. 2007. The cult of the Mohicans: American fans on the electronic frontier. Journal of Popular Culture 40:526–54.
*Williams, Rebecca. 2004. "It's about power!" Spoilers and fan hierarchy in on-line Buffy fandom. Slayage 11/12. http://slayageonline.com/essays/slayage11_12/Williams.htm (accessed March 26, 2007). [Appears in table of contents under this title: "It's about power!" Executive fans, spoiler whores and capital in the Buffy the Vampire Slayer on-line fan community.]
Williamson, Milly. 2005. Spike, sex, and subtext. European Journal of Cultural Studies 8:289–311.
Woledge, Elizabeth. 2005a. From slash to the mainstream: Female writers and gender blending men. Extrapolation 46:50–65.
———. 2005b. Decoding desire: From Kirk and Spock to K/S. Social Semiotics 15:235–50.
*Wood, Andrea. 2006. "Straight" women, queer texts: Boy-love manga and the rise of a global counterpublic. Women's Studies Quarterly 34:394–414.
*Youssef, Sandra. 2004. Girls who like boys who like boys: Ethnography of online slash/yaoi fans. BA honors thesis, Dept. of Anthropology, Mount Holyoke College. http://yuuyami.com/luce/thesis.pdf (accessed June 2, 2008).
Citation information
Hellekson, Karen, and Kristina Busse. 2006. Fan fiction: A bibliography of critical works. In Fan fiction and fan communities in the age of the Internet, ed. Karen Hellekson and Kristina Busse, 33–40. Jefferson, NC: McFarland. Revised and updated June 2, 2008.
